> Leighton Broadcast, St Cloud, MN

> CBS, Philadelphia, PA

> KEYT, Santa Barbara, CA

> TS-4H Talent Station

> Xstudio, Sydney, Australia

> RTE Pulse Ireland

> Hubbard Broadcasting, Phoenix, AZ

> KUNA-FM-02, Palm Springs, CA

> RTE Pulse Ireland

Mix Your Television Remote Audio From Home

AirAuraX3 420The days of schlepping tons of equipment around to various sporting venues are numbered, along with the associated travel and staffing issues, such as delayed flights, room cancellations, and all the rest that happen as a matter of routine during a remote broadcast.

Fiber optic and other high-speed communication links can now bring it all to your home studio where your production team can mix the game and get it out for broadcast almost as fast as it happens. No big anvil cases. No grumpy field engineers. Well, that last part isn’t entirely true – but the cost savings of mixing remote games from home certainly is.

Read the Rest of the Story


When the Airport Bans Your Phone

By Dee McVicker

Did you know that along with knives and guns and bombs, you are no longer allowed to carry a Galaxy Note 7 phone on the airplane? The Note 7 is blacklisted by U.S. carriers. If you happen to make it past the TSA checkpoint and onto the plane with one in your pocket, you’ll be asked to hand it over to a flight attendant...

Something has gone terribly wrong with a product when it’s on the no-fly list.

Read the rest of the story

7-Year Old Edits Call with VoxPro!

Rick Party, from HOT 105 FM in Hollywood, Florida, posted this great video of his daughter, Zion, editing a call with VoxPro. The amazing thing? Zion is only seven years old! Take a look...

Wheatstone Interviews the Broadcast Industry:
Dan Hyatt, Broadcast Processing Guru

Dan Hyatt of the Radio Rescue Group talks with Scott Fybush at NAB 2016 about his audio processing strategies, designed to increase TSL figures by making stations loud AND listenable.

See All the Interview Videos


Wheatstone Adds HD/FM Time Alignment to AirAura X3 Processor!

Proof-of-concept FM processor eliminates external gear to correct HD/FM diversity delay

Wheatstone has announced that its top-of-the-line FM/HD processor, AirAura X3, is the first processor to accomplish off-air monitoring, measurement and real-time correction of HD diversity delay without requiring external gear.

AirAuraX3 420

"In many stations, the FM processor provides the diversity delay and most FM processors can accept delay corrections from third-party outboard monitors. However, when the off-air monitoring, delay measurement and correction functions are all embedded within the processor itself, outboard gear is no longer required,” explains Jeff Keith, Wheatstone Senior Product Development Engineer.

Maintaining precise diversity delay is critical for minimizing listener tuneouts when the HD signal blends to analog at the fringes of a station's coverage. Wheatstone's latest innovation embeds the diversity delay, as well as its measurement and correction, within the audio processor. Diversity delay is always kept in perfect alignment, and there is no need for outboard hardware.

For a personal demonstration of any Wheatstone product contact Jay Tyler at

VoxPro6 How-To Videos

Rick Bidlack, the man who is all things VoxPro, and our own Scott Johnson got together this week to produce a library of quick-start how-to videos for VoxPro6. For the beginner looking to hop right in, these are perfect. For the seasoned pro, a quick run through may show you some of the new features that you weren't necessarily aware of.

We've got the first seven up and at least a dozen more coming in the next week or so. Hope you find them useful. Click on the image below to see them.


Processing for Podcasts


NPR hired its first general manager in charge of podcasts this month. We’ll let that sink in for a moment before we hit you with another interesting fact.

And, here it is: did you know that the same number of Americans listen to podcasts as use Twitter? That’s more than 57 million Americans, and growing about 23% a year due to the smartphone, according to Edison Research.

This last data point is an important one, because we’re now targeting podcasts to a pair of small speakers that essentially sit in the ear –unless you’re in a connected car, in which case audio management that helps to raise the podcast audio above the noise floor of a moving vehicle is still important. Add in the bit-rate reduction, and, well, applying audio processing to podcasts becomes all about controlling what the codec sees, on a device and earbuds that may or may not be in ideal listening environments.

So, how aggressive should you set the processing for podcasting?


Quality Control: Wheatstone Style


It was another normal full-network test. As with every system we sell, we fully burn in and test it – every component, the way every component works with every other component, AND the way it all works with other gear in the customer's studios (via our ACI and, of course, AES67). For this system, commissioned by a Wheatstone customer, because it was so large, we decided to add even more to it and see if we could strain it. We are happy to say that it performed perfectly.

Click to see equipment list
1 LXE console
1 LXE Digital Engine Blade
1 SERIES 4 console
1 Dimension 3 Touch console
2 Gibraltar network cages
1 E6 console
1 L12 console
13 LX-24 consoles
15 Digital Engine Blades
15 Digital I/O Blades
9 Analog/Digital I/O Blades
11 Analog I/O Blades
1 MADI Blade
1 CB32 Blade
1 HBx16R panel
1 Edge Blade
1 HD-SDI Blade
1 B3 Mic Blade
12 M4IP mic processors
1 FM55 processor
1 Aura8IP mic processor
1 AirAura X3 processor
21 TS4 talent station panels
2 TS22 talent stations
5 SideBoards
4 Cisco core switches
24 Cisco peripheral switches

AND, there's an IP Radio link!


The Pros Give VoxPro a Spin

VoxPro: Aug 2016 Radio World: Alan R Peterson has written a great piece on VoxPro6, and has given us permission to share it.

Some years ago, something epic began happening with radio contest callers: They stopped asking if they were the “ninth caller;” they already had their radios turned down, and they were as tight in their responses as the jock was in his/her performance.

Did their level of intellect or their performing chops suddenly improve overnight? Nope. Give credit where credit is due: Stations bought a VoxPro — the recorder/ editor for live on-air operation, designed in 1991 by Seattle personality Charlie Brown and distributed by Audion Labs.



Audio IP and Crisis Management

Let’s suppose you arrive at the usual time to find that your train is delayed. You then scramble to catch the B train, but by the time you get there, it is whistling down the track without you.

That leaves the C train, which departs in five minutes but arrives nowhere near your destination. You could take a connecting train that will get you close, but that’s going to add more time onto your travels.

What you’ve just experienced is a crisis in routing. When one route changes, whether due to track, train, studio or switch, there’s a delay or detour in traffic, be it packets or passengers. And that can never be good for broadcasters, who are easily the most punctual people on the planet, having spent years timing programming, newscasts and ads down to the second.



A Tale of Two Cities. Map Included.

Here is a snapshot of a customized screen created with our ScreenBuilder app showing primary and secondary paths of ABC news feeds between New York and Scottsdale. While ABC Radio news announcers are talking live in New York, their mics are managed by Skyview in Scottsdale.



Pokémon GO could be the tip of the augmented reality iceberg. Imagine being able to actually step onto a virtual chessboard with your opponent. Or performing maintenance on your automobile through 3D graphic...



Not everyone has an AIR-4 in his or her spare bedroom, but those who do are obviously serious about radio. Meet John Jordan, who marks his 30th anniversary in radio this month and operates internet station out of his home in Nashville, North Carolina.



We quietly added an LUFS/LKFS indicator to a few of our radio control surfaces recently, and by now some of you may be wondering why and how this television loudness standard could possibly be useful to radio broadcasts.

Stay up to date on the world of broadcast radio / television.
Click here to subscribe to our monthly newsletter.



Having all these terms in one place, and in alphabetical order, definitely comes in handy. But just as helpful to us are the comments at the end of the article by those who, for various reasons, added onto or had their own definitions.



By Dee McVicker

If you’ve ever driven the 372 miles from Los Angeles to Phoenix, you know that there’s nothing between Blythe and Quartzsite except a few jackrabbits and your radio. Sometimes, there are no jackrabbits.



Applying touchscreen GUI technology to today’s audio console has some interesting rewards in workflow, as we demonstrated with our IP-64 and the Dimension Three TV audio consoles in previous years, and now with our new LXE IP audio console this NAB show. READ MORE


It’s drive time all the time for 107.7 Sanef located near Senils, France. That is, the station broadcasts to traveling motorists through a network of 200 watt transmitters synchronized on the same frequency and located along 1,800 kilometers of motorway. READ MORE


Audio mixing consoles are now part of a much larger universe, the fabric of which is networking. How a console is networked is more critical than ever before, as are the applications that drive its usefulness.



Today, broadcast operations have extended beyond and expanded within their walls, thanks largely to IP and networking. But meanwhile, back at the factory, we’re keeping it all under one roof. Why? READ MORE


By Scott Johnson

When you think of Wheatstone processing, you naturally think of broadcasting. But if an audio engineer tucked an Aura8-IP under his arm and left the station, would he find other uses for it? The answer, I found out recently, is a resounding yes! READ MORE


To make sure our system can outperform every other AOIP network on the face of the earth, and do it easily and robustly, we routinely get our engineers together to put them through stuff no real installation would ever attempt. How does WheatNet-IP perform? READ THE STORY


left aligned image Network EDGE is designed specifically as a translator between high-quality, low-latency studio networks such as WheatNet-IP and low-bandwidth STL connectivity options such as IP wireless radios.

IP wireless radios in the unlicensed 5 or 24 GHz range are priced from a few hundred to several thousand dollars.

Typically located at the studio, the Network EDGE interfaces directly to an IP wireless radio or commercial leased line for point-to-point connectivity between locations. Network EDGE can be used with any of the major IP radio brands currently on the market. When used within the WheatNet-IP system, with a Network EDGE at one end and a BLADE at the other, this opens up a world of possibilities based on BLADE I/O functionality such as silence detection, clip player, logic for automation, et al.

The Network EDGE includes local I/O (two AES and two stereo analog) and 12 programmable logic ports.

Click here for the Network Edge product page.

Site Navigations